WORDS
Gena Marvin’s Surreal Queer Art Is Protest
January 2024
Review: To The Stars & Other Stories by Fyodor Sologub
May 2023
Sasha Velour Is In Her Author Era
April 2023
The Hours: Metropolitan Opera Review
December 2022
The Ironies and Absurdities of Vladimir Sorokin
August 2022
A Poetry Collection About The Divine and The Profane
August 2022
Ottessa Moshfegh Is Happy To Be Your “It” Girl
June 2022
Angelea Preston Is Ready To Talk About Her ANTM Disqualification
March 2022
Carrying The Home Of Our Past Selves
March 2022
Che Diaz’s Most Annoying Quality? Smoking Weed In Public.
January 2022
On Trauma, Memory, and Language with Azareen Van der Vliet Oloomi
August 2021
James Whiteside Is “Super Gay.” So Is His Memoir.
August 2021
Sorry, Gen Z: Nancy Meyers Invented “Main Character Energy”
August 2021
A’Ziah “Zola” King Has More “Ho Tales” To Tell
July 2021
While Telling Others’ Stories, Ashley C. Ford Was Also Writing Her Own
July 2021
Sasha Velour Is “So Happy” With Her Drag Legacy So Far
June 2021
Leyna Bloom Is Having A Ball Finding Her Own Happiness
June 2021
Jhumpa Lahiri’s Whereabouts and Identities in Flux
May 2021
Blueberries: A Collection of Essays At Odds With Each Other
April 2021
Minari Helped Yeri Han Understand Her Own Family
April 2021
Amy Tan Is Ready To Tell Her Own Story
April 2021
Away From Home, I Created My Own Traditions for Nowruz
March 2021
A Pars 4-Cup Rice Cooker and My Persian Identity
March 2021
Julia Bullock: Contextualizing the Repertoire
January 2021
Alex Ross: Wagner in the Twenty-First Century
November 2020
m4m_LA
(Nominated for the XLVI Pushcart Prize)
September 2020
Collective Ownership: AMOC
Interviewed by Arya Roshanian
August 2020
Ballet Helped Me Reclaim My
Identity as a Queer Iranian
July 2020
What the Rise in LGBTQ+ Content May Mean for Awards Acclaim
November 2019
Column: First-Ever ‘Sopranos’-Con Celebrates James Gandolfini
November 2019
Björk with Orchestra at Walt Disney Concert Hall
May 2017
L.A. Opera at 30: Looking to the Future on 30th Anniversary
September 2016